We took Rambert dancer Guillaume out and about on the South Bank for a chat to find out how he arrived at Rambert and what makes him tick.
DoP – Tom Walder | Dan Löwenstein
Directed & Edited – Dan Löwenstein
We took Rambert dancer Guillaume out and about on the South Bank for a chat to find out how he arrived at Rambert and what makes him tick.
DoP – Tom Walder | Dan Löwenstein
Directed & Edited – Dan Löwenstein
We love Australian band The Avalanches and during lockdown, we collaborated with them and The Experience Machine (TEM Studios) on this video for their new album We Will Always Love.
Reflecting Light was filmed at the Rambert studios in London, is choreographed by our Artistic Director Benoit Swan Pouffer, and features our dancers.
TEM Studios filmed our dancers using 4 volumetric time-of-flight cameras that capture extreme three-dimensional detail. The cameras were exposed with a thousandth-of-a-second delay from each other 30 times a second. If you’re not a camera technician this may make no sense – so we recommend just giving it a watch and taking a look at the results.
Be sure to listen to The Avalanches’ new album ‘We Will Always Love You’ which ‘Reflecting Light’ is part of.
Your access to all areas pass is here – introducing our rehearsal diaries series, inside Peaky Blinders: The Redemption of Thomas Shelby
In this first episode, Aishwarya and Antonello talk about acting and getting into character. Watch this space for the next episode soon.
What does it feel like to take on a role as iconic as Tommy Shelby?
Guillaume and Prince who alternate in the role, on what it means for them to represent this character in Peaky Blinders: The Redemption of Thomas Shelby.
When it comes to the world of Peaky Blinders, the music is everything.
Meet our Composer and Music Supervisor, Roman GianArthur.
Want some of our Peaky Blinders tracks on your Spotify? Click here: https://www.rambert.org.uk/rambertplus/content/peaky-blinders-show-playlist.
We think Musa sums himself up perfectly – “Musa Motha doesn’t believe in impossibilities. Instead, I break the word impossible into two. I am possible.”
Aisha & Abhaya was an ambitious new Rambert creation with director Kibwe Tavares. This was a fantistical journey into other worlds with live performance fused with film and animation performed to packed houses at the Royal Opera House’s Linbury Studio. Here are its origins in the studio.
We loved working with Kibwe and you can listen to him in conversation with Artistic Director Benoit Swan Pouffer and watch more of his film work here.
Rambert Dancers in Aisha and Abhaya © 2020, ROH and Rambert.
Studio footage and backstage images by Miguel Altunaga Jr.
Production image by Foteini Christofilopoulou.
A co-production between Rambert and The Royal Ballet, in association with BBC Films and Robin Saunders.
Directed by Kibwe Tavares
Choreography by Sharon Eyal
Featuring artists and creatives from across the fashion world, we love its forceful and united statement, unravelling the idea of national identity as a romantic construct. It was originally released in the wake of President Donald J. Trump’s executive order restricting immigration from seven, predominantly Muslim countries; an order which has now been revoked by President Joe Biden.
Made for W Magazine.
Join the dancers, creatives, and crew as they put the finishing touches to the show, and feel the energy and excitement of the dress rehearsals of Peaky Blinders: The Redemption of Thomas Shelby.
“No one sees what you see even if they see it too” Tommy Shelby
And while we can’t give too much away, our Illusions Director Filipe J. Carvalho lifts the curtain slightly to talk about his role in Peaky Blinders: The Redemption of Thomas Shelby.