Rambert History, 1966-2002

Rambert History: Reflection and Revision

A pink logo with the word rambert on it.

Rambert History 1966-2002: Recall and Reflection questions

After you’ve watched our video documentaries, use this page to help with revising Rambert’s history.

 

Company Aims

The aims set out for the company in 1966 were:

  • The creation of new works
  • Performance of existing repertoire
  • Performance seasons in London plus national and international touring

Why do you think each of these aims was important to the artistic and financial future of the company?

What examples can you recall of each of these aims?

When you think about the dance being performed today, what do you see that is different from these aims? What do you see that is similar?

Influences

Some stylistic influences on Rambert from 1966-2002 include:

  • Interdisciplinary collaboration with designers and composers
  • Moving away from classical traditions
  • American influences

What examples can you recall?

How do you think these ideas might have influenced wider British culture?

Can you think of dances or practitioners today that have similar aims or influences?

Artistic Directors

The Artistic Directors of Rambert between 1966-2002 were:

Norman Morrice (1966-1974)
John Chesworth (1974-1980)
Robert North (1981-1986)
Richard Alston (1986-1993)
Christopher Bruce (1994-2002)

For each Artistic Director:

  • What were some of their individual values?
  • What contributions did they make to the company? Consider choreography and new initiatives.
  • How did their individual values influence company life and works?
  • What impact did they each have on the development of the company?
  • How did each Artistic Director continue to fulfil Marie Rambert’s initial aims?